Eagles - The Long Run

180g 45RPM 2LP Box Set

$125.00

Sku: MFSL45UD1S-029

  • Eagles - The Long Run

Eagles - The Long Run

180g 45RPM 2LP Box Set

$125.00

Sku: MFSL45UD1S-029




Mastered from the Original Analog Master Tapes, Pressed at RTI on MoFi SuperVinyl, and Limited to 10,000 Numbered Copies

1/4" / 15 IPS analog master to DSD 256 to analog console to lathe

Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.

  1. The Long Run
  2. I Can't Tell You Why
  3. In the City
  4. The Disco Strangler
  5. King of Hollywood
  6. Heartache Tonight
  7. These Shoes
  8. Teenage Jail
  9. The Greeks Don't Want No Freaks
  10. The Sad Cafe

Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and limited to 10,000 copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set presents The Long Run in unparalleled sound. Akin to the audiophile label's prior Eagles UD1S sets, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, spectacular dynamics, and microscopic levels of detail. Songs come across with an epic sweep and feature front-to-back soundstages that give the music unprecedented air, roominess, and separation.

As for the noise floor? Practically nonexistent. Though the Eagles are renowned for great-sounding albums, The Long Run might be the most note-perfect work in their catalog – the result of more than 18 months of painstaking recording sessions. This UD1S version demonstrates why. The placement of the rounded bass lines, extension of the piano accents, and golden tones of the blended harmonies are constantly identifiable and practically take you inside the arrangements.

Complementing the gorgeous sonics, the premium packaging of the UD1S The Long Run pressing befits its esteemed status. The deluxe box features foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. This UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album, including the artwork.

Intentionally simple, the cover is designed by John Kosh, who devised the art for the Beatles' Abbey Road and The Who's Who's Next. The stark black-and-gray color palette speaks to the exhaustion the band was feeling at the time – as well as the malaise conveyed in several songs. Kosh's creation also can be seen to reflect a gravestone, and though the Eagles would fall dormant for more than two decades, the tombstone interpretation is line with the tongue-in-cheek nature of the album title: The Eagles would return and outlast a majority of their lesser contemporaries and joyless critics.

"Who is gonna make it?/We'll find out in the long run," posits Don Henley on the album's opening track, an R&B-fueled classic that reached No. 8 on the charts. Henley later addressed the irony of the lyrics; his group was in the process of breaking apart when he wrote it. Yet the singer-songwriter and colleague Glenn Frey clearly knew something others failed to recognize. Related themes of survival, resilience, and dark humor course throughout The Long Run, which also marks the arrival of bassist Timothy B. Schmit. His lead vocal anchors the No. 8 hit "I Can't Tell You Why," a staple he co-wrote with Henley and Frey.

That dynamic duo has a hand in all but one of the songs, "In the City," Joe Walsh's slide-guitar-appointed ode to endurance. Walsh also shares a writing credit on the closing "The Sad Cafe," a melodramatic favorite whose lineage extends to another of the band's longtime collaborators, J.D. Souther. He, along with Frey and Henley, teamed with Detroit legend Bob Seger on penning the record's signature anthem: the Grammy-winning "Heartache Tonight." Fueled by rhythmic handclaps, a romping groove, and the band's trademark California-bred country-rock style, the chart-topper comfortably sits alongside deep cuts such as the winking shuffle "The Disco Strangler" and cinematic "King of Hollywood."

The challenges and pressures associated with making The Long Run after dealing with the unimaginable success of Hotel California ended up grounding the Eagles. Yet the album's enduring merit, performances, and melodies confirmed Henley and Frey's beliefs. The Eagles are still thriving. They made it. The long run continues.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master recordings, painstakingly transfer them to DSD 256, and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master recording. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
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