A start-to-finish cycle that documents a lover's pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made and ranks as the most personal statement of the Bard's career. To hear it is to experience the agony, frustration, trauma, highs, lows, confusion, sadness, and, ultimately, requisite redemption associated with intimate relationships gone astray.
Dylan maintains it's a work of fiction, but it's evident close-vested autobiographical premise is what helps make it universal: It's the icon singing through tears, going out of his mind, battling hallowing emptiness, firing shots across the bow, and accepting culpability. It is, in short, a consummate expression of love's darker sides and the consequences of what happens when dreams unravel.
Mobile Fidelity is humbled to have the privilege of sourcing the iconic LP from the original master tapes and pressing it on dead-quiet LP at Fidelity Record Pressing. Presenting both the solo acoustic and band-supported songs with clarity, dynamics, presence, immediacy, spaciousness, imaging, and balance, this version shines a high-powered light on the fluid vocal phrasing, timbral shifts, functional rhythms, and inward-looking strumming that contribute to every song here serving as a wound-exposing confessional.
For all the melancholic pain, unresolved questions, shattered memories, wasted times, unrequited dialogs, and weary regret within, Blood on the Tracks remains as daring as it is reflective. Rather than follow for a monotone caustic vibe, Dylan's songs burrow into the subconscious for the manners in which they are even-keeled, mellow, and occasionally, even peaceful. Dignity, honor, poignancy, and fairness – all traits uncommon in any situation in which partners dissolve histories, change hearts, and attribute blame – instill the record with equilibrium on par with the consistency of the flowing melodies.
Throughout, tunes come on and proceed as if they could continue forever, Dylan spinning poetic verses and conversations amidst finely tied knots of acoustic notes, chords, and fills, the deceivingly simple architecture conjuring the intertwined refractions of a bezeled jewel, various angles, colors, and textures conjoining into a gorgeously inseparable whole. Backed by Tony Brown's flexible albeit subtle bass, Buddy Cage's country-streaked pedal-steel guitar, and Paul Griffin's soul-baring organ – an instrument used to shadow, tuckpoint, and illuminate here as effectively as any time in rock history – Dylan pours soulful emotion, open his veins, and bleeds.
MoFi UltraDisc One-Step
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the Ultra High-Quality Record (UHQR) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master recordings, painstakingly transfer them to DSD 256, and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
UltraDisc One-Step: The Future of Hi-Fi
Everything begins with the meticulous cutting of a set of lacquers for a strict number of records to be pressed. After being cleaned with a proprietary chemical, the lacquers are rinsed in de-ionized water and dipped in stannous chloride, enabling pure silver to adhere to the surface. This leaves a pristine, extremely intricate silver layer. The lacquer is then mounted onto a conductive copper bar and immersed into a tank with nickel anodes at 98 degrees. As electricity is applied to the silvered lacquer, the nickel begins to deposit onto the lacquer, while preserving the integrity of the grooves. The nickel-plated silvered lacquer is then placed into a high-speed rotary tank at 120 degrees and spun at 88RPM to ensure the even application of a nickel layer. Once the desired thickness of .012" is achieved, the disc is removed from the plating tank and the nickel convert is separated from the lacquer. At this point, the convert is formed into a single-use record stamper. This first-generation convert is used to make the pinnacle of audiophile vinyl that literally and figuratively brings listeners closer to the music.