We are humbled to have the privilege of mastering the iconic LP from the original master tapes, presenting it in its original take-notice mono sound, and pressing it on 45RPM LPs at RTI. Strictly limited to 3,000 copies, the end result is the finest, most transparent mono analog edition of The Freewheelin' Bob Dylan ever produced. Never before has the resonance of his nylon guitar strings, fingerpicked notes, shivering harmonica fills, or plainspoken timbre possessed such directness, clarity, openness, body, or realism.
As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. More intimate, focused, and direct than its stereo counterpart, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. With the advantage of wider and deeper grooves, the 45RPM pressing affords the opportunity to detect more information and lavish in extra richness. Whether it's the exaggerated nasal accents employed on "Down the Highway" or the decay of each strummed line on the entirely acoustic album, previously concealed details, microdynamics, and ambient cues surface â€“ enhancing the listeners' experience and taking them inside Columbia's Studio A.
Exponentially surpassing the potential he demonstrated on his debut, Dylan became a mirror of the concerns, issues, and feelings confronting the nation. Writing and singing with penetrating honesty, observational wit, moral conviction, and scathing emotion, he digs into the madness of war ("Masters of War," "A Hard Rain's A-Gonna Fall"), hypocrisy of segregation ("Oxford Town"), urgency of civil rights and freedom ("Blowin' in the Wind"), and multiple angles of unrequited love ("Girl From the North Country," "Don't Think Twice It's All Right") with a literate astuteness and depth that, nearly 50 years later, still leave audiences slack-jawed. Satire, absurdist humor, and traditional blues also pepper the album, which rests upon graceful melodies and sparse, poignant patterns.
Viewed as protest songs, love songs, folk songs, or talking blues songs, the material on The Freewheelin' Bob Dylan remains amongst the most astonishing and imaginative ever committed to tape. It deserves – as much as you deserve – a fidelity that makes as closely intimate as possible the music's connection with you. You deserve this mono edition.