Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and limited to 3,000 numbered copies, Mobile Fidelity's 180g vinyl LP places the work's organ-drenched melodies, acid-rock scope, mind-warping effects, and cauldron-bubbling rhythms on a soundstage as massive as the concert stage depicted on the album cover. Speaking of the latter, Mobile Fidelity's faithful-to-the-original graphics and first-rate reproductions of the lava-lamp-ready colors are as close as you're going to get to seeing the famous artwork in pristine form lest you come across a copy untouched by five decades of aging. (Good luck.)
Sonically, this collectible audiophile reissue offers elite levels of separation, balance, and imaging that put the quartet's accomplishments into greater perspective. Often overlooked, the first side of In-A-Gadda-Da-Vida features a wealth of period-era garage rock and stoner pop teeming with hummable hooks, fuzz-guitar riffs, and a decidedly mystical aura. Songs such as the strolling "Are You Happy" and cryptically spiritual "My Mirage" beg for inclusion on any of Lenny Kaye's renowned Nuggets compilations not to mention placement alongside the finest Doors material of the era. Led by Doug Ingle's distinctive and patient baritone, the tunes seemingly dangle in space and prepare the senses for the unexpected.
And that moment arrives as soon as Ingle's fingers dance across his organ keys and a come-hither groove – at once adventurous and alluring, deranged and sinister, hallucinatory and chromatic – kicks in and doesn't again let up until you've been dragged through a vibrant cosmic universe. Long rumored to have been a substitute for the phrase "in the garden of Eden," and misinterpreted due to Ingle's inebriated state as well as because of communication problems between headphones in the recording studio, "In-A-Gadda-Da-Vida" juggles tension and excess to high-wire-thrilling degrees. Yes, it contains what many consider an unnecessary drum solo, but akin to the extended duration of the song, the percussive break belongs and remains part of the charm. Not to mention a lasting piece of pop-culture phenomena.
In a year that also saw the release of Electric Ladyland, Beggars Banquet, The Beatles, Astral Weeks, Cheap Thrills, Music from Big Pink, and The Kinks Are the Village Green Preservation Society, In-A-Gadda-Da-Vida became Atlantic Records' biggest-ever-selling album (at that point) and spent 140 weeks on the album chart – 81 of them in the Top 10. A severely edited version of the title track rose as far as #30 on the singles chart. It has been subsequently referenced in everything from "The Simpsons" to "Seinfeld" to "Home Improvement."
Alas, too bad everyone then didn't have the pleasure or opportunity to take it all in via a truly immersive, surreal-sounding reissue. Fortunately, you do.
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.